Ok, sorry for the delay, getting ready to move back to college. Very busy.

I live near Detroit, and the show was about 3-4 hours away in Grand Rapids. I left with my friend so we would arrive early. We also had the early entry seats, which trust me, are really important. The place was kinda packed by the time the rest were allowed in. Anyways, we got there and waited. And waited and waited. Finally we got in, I was third in line after two people who drove there from New Jersey and had been there since 8am (It was now 5 pm). They were interviewed for the newspaper. The reporter asked me my name and I told him it was Ludvig van Charles-Wittingcotten the 3rd and he immediately moved on. I didn't really care.

We got in and I ran with my friend to the very first row, center. People began shuffling in behind us. Bathroom, food, drink and buying shirts were out of the question now. Move your meat, lose your seat. So we waited in the blistering sun. And waited and waited. Heres a picture, I was standing right next to the lady in front wearing red in the bottom right, I just missed the cut I guess.



Finally two hours later, the first opening act came out. Elana James and the Continental Two (Three) came out. They were amazing. Best bassist I've ever seen. They sang some really awesome jazzy, bluegrass hits. They had a dynamite sound, plus Elana was quite a fox.


Then after waiting another half-hour, Junior Brown came out. Decked in ten-gallon hat, and 3-piece suit, he brought his signiture electric/slide guitar. He was really amazing. One of the best guitarists I've ever hard. Just so damn fast. Sounded so damn cool. He played a mix of 50's surf/rockabilly/country. Amazing low voice too.




Then came Jimmy Vaughn. Gotta tell you, not impressed. Not that bad, but not nearly as good as the two opening acts. Sorry Jimbo.




....Then the lights went low. Aaron Copland's Fanfare for the Common Man started playing (Little too corny for me) And out he came. He walked out and stood next to his instrument of choice, the keyboard. He was right in front of me but I was just motionless and glued to the floor. He casually looked around at his band and then BURST into Maggie's Farm. A very good, but not great rendition. He wasted no time in jumping into the next numbers. He would back away from the keyboard, pull off his cowboy hat, stroke his hair a few seconds, and jump right into another one.

Times They Are-A Changing was almost too good. His harmonica solo was nice, but left something to be desired. The singing was really amazing. He sounded very honest and alive.

Tweedle Dee and Tweedle Dum was good. The End.

Tambourine Man knocked my socks off. He completely revamped it's whle sound. It was truely amazing. I'll never forget it. Ever. THe Harmonica in this one was much better.

Only Bleeding was good, vocals were hard to understand and thats my favorite part of that song (Obviously)

Just Like A Woman had the whole crowd singing louder than Dylan. He liked to chop up the vocals on all his other songs, but the audience really forced him to stick to the album version, which was so nice. Just hearing him cry, "Just like a Woman!" made the night worth it.

Cold Irons Bound was again revamped differently from it's previous two versions. much more haunting and surreal. Wish I could have a copy of that performance. Very tingly. here a video of it:

http://youtube.com/watch?v=2kZcmA9u9VQ

Shelter From The Storm was good. Another crowd-pleaser. People were shouting along with this one too. Just great work on all parts.

Masters of War was probably the best I've ever heard it. He really pumped new life into a song he said he'd probably never do live again (I'm sure all the current wars had some effect on his deciding to do this song.) He was clearly trying to get the message out to a new generation of fans by singing this.

Highway 61 Revisited was rockin'! Everyone was just bouncing around. Including Bob, who visibly smiled a few times during the song (a rarity). He was be-bopping on stage like there was no tomorrow. nice to see an animated Bob enjoying his music.

Sugar Baby was very great. Vocals were nice and he put the effort into this one also. A favorite of mine.

Summer Days was another big rocker. Dylan was bobbing his head around like a chicken the whole time for this song. I absolutely loved it. At the completion of this song, he turned to leave and looked out into the audience for a second. I was up on the gate just looking at him. When his eye's caught mine, I was perfectly motionless and had a very intense look on my face. I'm pretty sure that's why he smiled and pointed at me as he walked off.

Encore:

He came back out and Blew me away with Like A Rolling Stone and All Along The Watchtower. These songs were amazing. Having now seen Like A Rolling Stone live, I can die. These were almost too good to be true. He introduced his band and had a suprisingly high talking voice. I'm pretty sure his low voice is manipulated (by himself) when he sings because he still has that Freewheelin' Bob Dylan high voice.

Then he lined up with the band and stood facing the audience for the first time. He glanced my way again but I don't think he saw me. (Had Bob Dylan actually been looking for me?) He seemed really, really nervous and was twiddling his thumbs. He seemed honestly scared for the first time all night.

He walked off abrubtly and that was that.

The Doc