I have many more observations. Sure, some of them may have come up in other postings.

1. Connie was always weak and could not recognize a good husband from a pimp. How did she end up as a Mafia princess, ordering hits and making decisions about Mike's successor?

2. Why do the Corleones in 1979 still listen and dance to the same music as in 1945? During the party, one can even hear the music that played in the Cuban nightclub during Michael's visit in 1958. Did Mike carry a tape recorder in Havana?

3. Is it possible to kill somebody using just his glasses?

4. How can an Italian don (Lucchese) have the accent of a Nazi in WWII movies?

5. How can a handsome hood that could have any woman he wants fall in love with his ugly (sorry Sofia) cousin while wishing to enter her father's organization?

6. How can a clever and experienced man like Michael expose his whole family to such danger at the Opera? As far as I can remember he knew about the assassination attempt from someone who "never fails", hence the bodyguards.


The list may continue on and on. The point is that, IMHO, the movie is hugely flawed and one can either ignore its existence or like it as it is.