Originally Posted By: Sicilian Babe
I am definitely with DC on this one. Granted, if my husband had been trapped in the Cuban Revolution, I might have been a bit more concerned about when he was returning than Kay seemed to be, but I think it was Michael who snuck out of the house without letting her know he was home. Perhaps they both wanted to avoid one another, but remember that Kay is sequestered at the compound, surrounded by Michael's people. If he doesn't want her to know that he's coming, then she doesn't know. Period.



Point well taken SB, and it would be like Michael to appear unannounced (as he did at Pentangeli's house). This brings me to another silent moment right before the sewing machine scene, and which precedes it is a way that makes both scenes part of the narrative. Of course I am talking about the scene where Michael comes to the front door and sees Anthony's little car sitting there in the snow abandoned. By the look on his face Michael knows his son has seen through this little charade, and the following scene with Kay's back to him really drives it home.


"Io sono stanco, sono imbigliato, and I wan't everyone here to know, there ain't gonna be no trouble from me..Don Corleone..Cicc' a port!"

"I stood in the courtroom like a fool."

"I am Constanza: Lord of the idiots."