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Re: Fools Die
[Re: Don Rypcord]
#625738
12/19/11 04:58 PM
12/19/11 04:58 PM
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Joined: Nov 2011
Posts: 1,168
Frosty
BANNED
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BANNED
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Joined: Nov 2011
Posts: 1,168
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Re: Fools Die
[Re: Don Rypcord]
#1017266
08/01/21 08:38 PM
08/01/21 08:38 PM
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Joined: Oct 2013
Posts: 4,461 Green Grove Retirement Communi...
OakAsFan
Underboss
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Underboss
Joined: Oct 2013
Posts: 4,461
Green Grove Retirement Communi...
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Trying to read it right now. I was hoping for more on Gronevelt since I'd already read The Last Don, and all that piqued my interest in this is that it was the same universe. I'm more than half way through and there's hardly any mention of the mob, just a couple of references to The Skim. The Clericuzuio haven't been mentioned at all, so I assume he invented them when writing The Last Don.
I find the story of the gamblers in Vegas, one of the characters clearly being based on him, to be uncompelling. About all I find compelling about the book are his vicarious observations and musings through his character Merlyn, but that's not what I read for.
I'm going to force my way through this then read The Last Don again, then I plan on reading The Fortunate Pilgrim (which many critics think is his best book) and The Sicilian. After that I think I'm pretty much done with Puzo, except for GF 1-2 films.
"...the successful annihilation of organized crime's subculture in America would rock the 'legitimate' world's foundation, which would ultimately force fundamental social changes and redistributions of wealth and power in this country. Meyer Lansky's dream was to bond the two worlds together so that one could not survive without the other." - Dan E. Moldea
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Re: Fools Die
[Re: DetroitPartnership]
#1026971
01/02/22 08:57 PM
01/02/22 08:57 PM
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Joined: Oct 2013
Posts: 4,461 Green Grove Retirement Communi...
OakAsFan
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Joined: Oct 2013
Posts: 4,461
Green Grove Retirement Communi...
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Any romanticized novels of the mob, to me, are just plain silly. Calling someone Don, the "respect", etc. Most all of the rituals came into practice after wiseguys viewed the Godfather. Aside from the Godfather novel, Nick Tosches, RIP, has created the most penetrating mob dialogues and storylines. Trinities, to me, is the single best mob book ever. Puzo said all along that he wrote GF strictly for money (he was an admitted degenerate gambler, always in debt), and that he'd never met a known mobster in his life, just low level loan sharks. The movies, particularly 1 and 2, made the saga what it is, and it was mostly due to the consultants around the set who gave Coppola and the actors cues about the life. Joe Colombo deserves credit for a lot of this because once Albert S. Ruddy promised Colombo that the term "mafia" wouldn't be used in the film and that no real names would be used, Colombo blessed the project and provided Paramount with access to associates and even some made guys to provide consultation. All great timing.
"...the successful annihilation of organized crime's subculture in America would rock the 'legitimate' world's foundation, which would ultimately force fundamental social changes and redistributions of wealth and power in this country. Meyer Lansky's dream was to bond the two worlds together so that one could not survive without the other." - Dan E. Moldea
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Re: Fools Die
[Re: OakAsFan]
#1027123
01/04/22 05:17 PM
01/04/22 05:17 PM
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Joined: Jul 2015
Posts: 2,692 n.e.philly
hoodlum
Underboss
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Underboss
Joined: Jul 2015
Posts: 2,692
n.e.philly
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Any romanticized novels of the mob, to me, are just plain silly. Calling someone Don, the "respect", etc. Most all of the rituals came into practice after wiseguys viewed the Godfather. Aside from the Godfather novel, Nick Tosches, RIP, has created the most penetrating mob dialogues and storylines. Trinities, to me, is the single best mob book ever. Puzo said all along that he wrote GF strictly for money (he was an admitted degenerate gambler, always in debt), and that he'd never met a known mobster in his life, just low level loan sharks. The movies, particularly 1 and 2, made the saga what it is, and it was mostly due to the consultants around the set who gave Coppola and the actors cues about the life. Joe Colombo deserves credit for a lot of this because once Albert S. Ruddy promised Colombo that the term "mafia" wouldn't be used in the film and that no real names would be used, Colombo blessed the project and provided Paramount with access to associates and even some made guys to provide consultation. All great timing. Interesting info.
I didn't want to leave blood on your carpet...
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